News Blog

The 100 Best Movies of the 2020s (So Far)

“We’re All Going to the World’s Fair” (dir. Jane Schoenbrun, 2021)

Jane Schoenbrun understands the internet. The filmmaker behind such projects as “A Self-Induced Hallucination” (a 2018 doc “about the internet”), the tech-tinged “Eyeslicer” series, and the dreamy “collective: unconscious” had always found the space to explore the worldwide web with respect, reverence, and a hearty dose of fear. For their narrative feature debut, Schoenbrun expanded their obsessions to craft an intimate tale about the impact of modern internet culture — one that’s part coming-of-age story, part horror film, and also the greatest argument yet for the beauty that “Creepypasta” can inspire.

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Bianca Catbagan
The 20 Best Films of 2025 So Far

Tendaberry

One of the privileges of doing this job is anticipating a promising filmmaker’s next leap. When I first watched Haley Elizabeth Anderson’s evocative queer coming-of-age short “Pillars” at Sundance 2019, I sensed she was someone to keep an eye on. Her later short co-directed social justice documentary “The Sentence Of Michael Thompson” only increased my curiosity. But her debut feature, the arching, handmade “Tendaberry,” which premiered at Sundance 2024, exceeded my wildest hopes. 

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Bianca Catbagan
Giving Birth To A Butterfly: Mothers, Sons and Identity Theft

No one is who they say that are in Giving Birth to a Butterfly, especially not the women. Beautifully shot on 16mm, Theodore Schaefer‘s directorial debut (available to stream today) follows Diana (Annie Parisse), a frustrated wife and mother, who finds her identity has been stolen by internet fraudsters unknown, in the midst of a crisis of confidence for her entire family. Her husband, Daryl (Paul Sparks) wants to be a chef but finds himself stuck in a dead-end job at a burger place, wearing someone else’s apron as he makes a change.

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Bianca Catbagan